The best advice on CD/DVD replication header image 1

Awesome wall calendars as marketing tool

June 24th, 2010 · Marketing

When you think of calendars do you think of good old desktop or wall calendars? The ones that are featured here are so unique that you will keep them all year long, when it’s done you may still keep them around because they look  like a piece of art. A smart way to keep your brand in sight at all times.

Read the rest of the post on Blog of Francesco Mugnai

Time to get busy for 2011?

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Types of artwork proofs for CD/DVD

June 18th, 2010 · Printing/Design

The artwork for your CD/DVD project, like headlines in a newspaper, is the first thing that attracts customers to buy.  In order to make sure the image and color is everything that you want it to be, the following types of proofs are available in the printing process:

1. Soft proof / PDF proof

This is the one that is viewable on the screen in the form of PDF. The purpose is to confirm layout, i.e., type, copy, position and image. Images generally will appear pixelated because they have been scaled down for email. This type of proof is standard and generally provided free of charge. Due to the different setup of each person’s monitor screen, PDF proof cannot be used for proofing color. Here’s our checklist for approving a PDF.

2. Digital proof / Kodak proof

Digital proof is a step up from PDF proof. An actual print is made from a print machine that is calibrated like the press. It’s a good approximation of what the final printed piece will look like. It is also much less expensive than a press proof because the lack of setup required.

3. Press proof / Contract proof

Example of press proof

Example of press proof

The press proof is an actual printed piece from the printing press with plates and inks specified for the job. A press proof is the ultimate check for image and color values. It involves setting up the job and running a proof on the actual stock to be used. It has the highest cost of all, but it is the most accurate form. For CD/DVD disc, this is the only form of printed proof available.

You may be asking now, there are replication companies that offer free printed proofs, why should you pay for any of these proofs mentioned here? These so-called ‘printed proofs’ that are advertised are actually nothing but print outs from a color laser/inkjet machine, without any calibration. It can be used to verify layout and position, but should not be used to proof color.

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Track your music impact online

June 16th, 2010 · Marketing

The internet gives you a whole new arena to promote your music through social networking, blogs, newsletters, forums, what’s next?
It’s important to track the progress, continuously refine the process to improve, through the following strategic steps:
1. Track your stats
2. Google yourself
3. Set up a Twitter search
4. Set up Google alerts

Continue reading the entire article on Wayward Musician

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Pump up the volume with fluorescent PMS

June 14th, 2010 · CD DVD packaging

How can you speak LOUD with artwork? Try fluorescent PMS. The artwork here is created entirely of fluorescent PMS,  with glossy UV coating.  The fluorescent colors were printed with spot ink, resulting in vivid, consistent colors throughout. The glossy UV coating adds more ‘punch’ to the overall color. The inside spines were printed with as well to match the artwork going across the inside.

6 panel DVD digipak printed with fluorescent PMS colors

6 panel DVD digipak printed with fluorescent PMS colors

6 panel DVD digipak with CMYK spine

6 panel DVD digipak with CMYK spine

2 color silkscreen with silver knockout

2 color silkscreen with silver knockout

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How to spot different blacks in artwork

June 3rd, 2010 · Printing/Design

There are many many different shades of black, such as plain black and rich black; and often it is difficult to tell the difference on the screen.  So if you are putting CD/DVD artwork together that incorporates images with black background, here’s a quick trick to make sure that the black is uniform throughout.

Open the artwork in photoshop, under the ‘Channels’ panel, uncheck Black. You will then see the artwork without black. If there are any subtle differences in black, it will become obvious in this view.

In the following example,  the background of the text is in a different black than the black underneath the text block, by accident. When viewed normally, the 2 blacks look about the same. Hiding the black using Channels makes it obvious to spot the mistake.

Example of differences in black viewed in photoshop

Example of differences in black viewed in photoshop, using Channels

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Uncoated (reverse) print digipak with a touch of foil

June 1st, 2010 · Printing/Design

We had mentioned before in a previous article about how to spice up your packaging that a little bit of foil goes a long way. Here we have a couple examples of how foil can create strong contrasts against uncoated (reverse) cardboard digipaks.

Silver foil printed on uncoated cardboard digipak

Silver foil printed on uncoated cardboard digipak

gold foil printed on uncoated cardstock

gold foil printed on uncoated cardstock

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Custom soccer player USB drives

May 27th, 2010 · CD DVD packaging

FIFA World Cup 2010 is coming around in about 2 weeks, and if you are looking for a unique way to produce a USB drive, check out the following designs using Lego-style soccer players. It is available with various uniforms, and other sports.

soccer player usb drivessoccer player usb drives
soccer player USB drivesoccer usb drive

soccer player USB drive

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Postcard-style mailer with DVD

May 24th, 2010 · CD DVD packaging

An increasingly popular option for direct mail, this package is light, and provides plenty of room for marketing message and graphics. A slit cut pocket is provided here for the insertion of the disc. The one shown here is 6 panels but more panels can be added, with different stocks and coatings.

Postcard-style mailer with DVD prices

Postcard-style mailer with CD prices

Front and back of mailer

Front and back of mailer

Inside of mailer

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What is DDP 2.0? Can it be created using DVD Studio Pro?

May 18th, 2010 · Creating content

What is DDP 2.0?

DDP (Disc Description Protocol) is an image of the disc, essentially a “virtual disc”. It can then be burned onto a DVD-R as DATA. The file format is acceptable to replication companies as master for replication. It eliminates the need for a DLT drive. Some of the reasons where exporting to DDP 2.0 files are necessary are DVD-9 titles, CSS, ACP and RipGuard encryption, etc.

Create DDP 2.0 image for DVD-9 (dual-layer DVD) using DVD Studio Pro

As we discussed before, when creating a master for DVD-9 title, sometimes the position of the layer break causes an issue in DVD replication. Creating a DDP 2.0 image can usually solve the problem, here’s the step by step:

1. Setting the layer break point manually

Find the point of the disc that is approximately halfway and the first layer must be larger than second layer

setting layer break on DVD-9

setting layer break on DVD-9

2. Creating the DDP 2.0 image

Bring up the Build and Format window, set the output format as DDP 2.0 and save them as files on the hard drive.

creating DDP 2.0 image using DVD studio pro

creating DDP 2.0 image using DVD studio pro

3. Burn files as data discs

You should now have a folder containing several folders like the next screenshot: video_ts, audio_ts, Layer 0, and Layer 1. (If you are exporting a DVD-5 project there will only be Layer 0). All you have to do now is burning the files the Layer 0 and Layer 1 folders to DVD-R as DATA, using Toast.

DDP 2.0 export results

DDP 2.0 export results

The files inside the layers look something like the following:

File structure for DDP 2.0

Sample Layer 0

DDP 2.0 file structure

Sample layer 1

To make sure the content of the DDP 2.0 files are correct, you may want to burn the video_ts and audio_ts folders onto a playable DVD  to QC. However these files are not required for replication.

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Creating a unique packaging for demo reel to wow potential clients

May 17th, 2010 · Marketing, Printing/Design

A conversation we have with Brett Ashy, president of the Ashy Agency, an agency for marketing communications companies to the broadcasting and entertainment industries. We asked him about creating a demo reel package to impress prospective clients.

1. How important is the design of packaging of a demo reel?

I think packaging is very important.  Your packaging, if done correctly, gives an immediate idea to it’s recipient of your brand and the attributes your brand stands for.  It let’s your consumer or potential client know a little bit about who you are as a company and upon sight and touch should evoke a response from the person receiving your reel.  While I think a branded presentation, meaning the design of your package and the design of your reel and it’s contents present a cohesive message, in the broadcast design industry, it’s the work on the reel that makes the most difference.  However, I’ve known some companies that have such creative and well designed packaging that it provokes the recipient to pop the DVD in to see if they are that creative the entire way through.  All in all I believe in well designed cohesive brand packaging that carries over into the work the potential client sees on the reel.

2. What type of packaging works well for your companies? Why?

Well, within the last two years, I’ve asked all my companies to change from plastic jewel cases to digipacks which utilize mostly cardstock and have a plastic tray.  We are trying very hard to move away from the use of as much plastic as possible.  Also, I’m finding the artwork on the digipacks just look so much better on cardstock than they do showing through a plastic jewel pack.

3. What’s your word of advice to have your reel stand out from the rest?

Find other reels that you feel stand out from the rest.  What is it that you feel makes them stand out from the rest. Whatever that is try designing around that quality, while bringing your own ideas, your brand and what it stands for into the design.  I’m not advocating copying anyone’s work, I’m more advising to find interesting ideas and making them uniquely your own.

The Ashy Agency is a broadcast and new media design agency that handles sales and marketing of 11 industries highest end motion graphic design, live action and visual effects studios.  Began in May 2005 by President Brett Ashy, the Ashy Agency currently represents the design and production talents of BigSmack, Big Star, Eloisa Iturbe, Engine Room, Eyeball, Fresh Paint, Laundry, Monkeyhead, Nailgun, Roger and Spillt.  The Ashy Agency can be found at www.ashyagency.com or look up The Ashy Agency on Facebook @ http://www.facebook.com/pages/Los-Angeles-CA/The-Ashy-Agency/279680895562?ref=ts.

Image courtesy of http://www.flickr.com/photos/brymo/2585686355/

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